Guillermina de Ferrari, Mariano Siskind (eds.) / The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms

3 diciembre 2022

El Routledge Companion to Twentieth and Twenty-First Century Literary and Cultural Forms reúne a un importante equipo de expertos en este volumen crítico en el que destacan las tendencias claves dentro de la disciplina, así como los puntos de vista de vanguardia que revisan y redefinen los debates y enfoques tradicionales. Los lectores hallarán aquí un acercamiento a la complejidad de la producción cultural latinoamericana del siglo XXI y una comprensión renovada y eminentemente contemporánea de la literatura y la cultura del siglo XX. Este valioso volumen será del interés de estudiantes avanzados y académicos en los campos de la literatura latinoamericana, los estudios culturales y la literatura comparada.

Table of Contents
Acknowledgments
Introduction
Guillermina De Ferrari and Mariano Siskind

Part I
Not the Way You Remember: Reshuffled Traditions and Historical Formations

Avant-Gardes in Latin America: A Polemical Intervention on Historical and Neo-Vanguardias
Fernando J. Rosenberg

A Material World: On the Literary Invention of the Latin American Queer Body
Javier Guerrero

Economic Impact: Narrative Traces of Money, Crisis, and Work
Alejandra Laera

Neoliberalism in Latin America: Sequences, Struggles, Institutions
Verónica Gago

Gore Capitalism, Borderization, and Fascism 2.0
Sayak Valencia

Formations of Sense
Horacio Legrás

What Is Popular Art?
Karen Benezra

Work’s Figures, Work’s Forms
Sarah Ann Wells

Literature and Revolution in Latin America
Juan E. De Castro

The Reactionary Genealogies of Latin American Literature
Benjamin Loy

The Political Art of Memory in Latin America
Victor Vich and Alexandra Hibbett

Decolonizing Indigenous Literatures
Arturo Arias

Bound to Beauty: The Cultural Politics of Feminist Writerly Formations
Victoria Liendo

Gisèle Freund’s Latin America: The Cosmopolitan Promises of Modern Photography
Alejandra Uslenghi

Part II
Virtually Anywhere: Dislocated Boundaries and Porous Cartographies

Peopling Latin Americanism
Fernando Degiovanni

Literary Exchanges between Latin America and Spain during the Spanish Civil War
Jesús Cano Reyes

The Orient, the Rim, and the World
Rosario Hubert

Rethinking South-South Globalities: The Indian Connection
Alexandra Ortiz Wallner

Liberian Signifiers and the Crisis of Latin American Cosmopolitan Imaginaries
Mariano Siskind

The End of Landscape: Brumadinho, the Capitalocene, and the Collapse of Form
Jens Andermann

Urban and Environmental Scales of Belonging in the Digital Age
Bruno Carvalho

Natural Borders and Animal Life: Inhabiting Guantánamo
Esther Whitfield

Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican Culture
Charlotte Rogers

Part III
A Bigger Toolbox: Thinking Patterns and Contemporary Interrogations

Being River: Ambient Poetics and Somatic Experiences of More-than-Human Flows
Lisa Blackmore

Ecocriticism
Gisela Heffes

Energy Aesthetics: Sandú Darié’s Film Petróleo cubano
Rachel Price

The Afterlives of Biopolitics
Gabriel Giorgi

Infrastructure Studies and Literature in Latin America and the Caribbean
Nicole Fadellin

Afrofuturismo: Aesthetics and Interpretation
Persephone Braham

Birthing Ourselves: Black Womanhood and Epistemological Marronage in Latin American and Caribbean Literatures
Odette Casamayor-Cisneros

A Horizontal Hospitality
Guillermina De Ferrari

Queer and Trans Critique in the Caribbean and Latin America
Lawrence La Fountain-Stokes

The Affective Turn According to Latin America, and Vice-Versa
Cecilia Macón

Sound Studies and Literature in Latin America
Anke Birkenmeier

Imagining and Undoing Masculinity in Jorge Luis Borges’s Poetry and Prose Fiction
Idelber Avelar

The Global South, Resistance, and the Anthropocene: A Long Walk in the Great Night
Luís Madureira

Él no es: Infrapolitics and the Experience of Tragedy
Gareth Williams

Part IV
Beyond the Book: Unbound Objects and Unfettered Critical Practices

Distorting Latinamericanism
Erin Graff Zivin

Sensationalism
Sergio Delgado Moya

Nature and Labor in Literary Form
Héctor Hoyos

Cartonera Publishers: Of Cardboard Boxes and Cultural Capital
Paloma Celis Carbajal

Institutions: Prizes, Presses, and Book Fairs
Gesine Müller

Material Technologies in Print: Posters and Clippings in Latin American Magazines from the First Half of the Twentieth Century
Antonia Viu

Tracking Dance in Latin American Literature
Michelle Clayton

New Forms of Musical Belonging in Contemporary Brazil
Falina Enríquez

Critical Performances: The Scream, the Green Tide, and the Spider as Embodied Feminist Articulations
Marcela A. Fuentes

Exteriority, Extension, Expansion: Photography and Theatricality in Chilean Arts
Natalia Brizuela

Media Archaeology and e-Literature
Phillip Penix-Tadsen

Experimental Literary Forms in the Digital Age: Sampling Quantum Poetics, Hypermedia Narratives, and Robopoetic Hacking
Scott Weintraub

Index

Guillermina De Ferrari es profesora Halls-Bascom de Literaturas y Culturas Visuales del Caribe en la Universidad de Wisconsin-Madison. Ha sido becaria Guggenheim en 2020 y ha realizado numerosas publicaciones sobre literaturas y culturas visuales caribeñas. Es autora de Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction (2007), Community and Culture in Post-Soviet Cuba (2014), and Apertura: Photography in Cuba Today (2015). Es coeditora de la serie Routledge Literature and Contemporary Thought.

Mariano Siskind es profesor de Lenguas y Literaturas Románicas y Literatura Comparada en la Universidad de Harvard. Es autor de Cosmopolitan Desires: Global Modernity and World Literature in Latin America (2014), Rumo a um cosmopolitismo da perda. Ensaio sobre o fim do mundo (2020) y El cancionero modernista. Estándares y variaciones sobre formas muertas (2021). Ha editado Nuevas minorías, nuevos derechos (2013) de Homi Bhabha y ha coeditado con Sylvia Molloy Poéticas de la distancia. Adentro y afuera de la literatura argentina (2006); con Gesine Müller, World Literature, Cosmopolitanism, Globality: Más allá, en contra, después, de otra manera (2019). En 2022 publicará la colección de ensayos Dislocaciones y fin de eso que ya no es mundo, y está trabajando en otra, tentativamente titulada Sobre el fin del mundo: La desaparición del cosmopolitismo en la cultura contemporánea.

Guillermina de Ferrari, Mariano Siskind (eds.)
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms
London: Routledge
540 páginas