Guillermina de Ferrari, Mariano Siskind (eds.) / The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms
3 diciembre 2022El Routledge Companion to Twentieth and Twenty-First Century Literary and Cultural Forms reúne a un importante equipo de expertos en este volumen crítico en el que destacan las tendencias claves dentro de la disciplina, así como los puntos de vista de vanguardia que revisan y redefinen los debates y enfoques tradicionales. Los lectores hallarán aquí un acercamiento a la complejidad de la producción cultural latinoamericana del siglo XXI y una comprensión renovada y eminentemente contemporánea de la literatura y la cultura del siglo XX. Este valioso volumen será del interés de estudiantes avanzados y académicos en los campos de la literatura latinoamericana, los estudios culturales y la literatura comparada.
Table of Contents
Acknowledgments
Introduction
Guillermina De Ferrari and Mariano Siskind
Part I
Not the Way You Remember: Reshuffled Traditions and Historical Formations
Avant-Gardes in Latin America: A Polemical Intervention on Historical and Neo-Vanguardias
Fernando J. Rosenberg
A Material World: On the Literary Invention of the Latin American Queer Body
Javier Guerrero
Economic Impact: Narrative Traces of Money, Crisis, and Work
Alejandra Laera
Neoliberalism in Latin America: Sequences, Struggles, Institutions
Verónica Gago
Gore Capitalism, Borderization, and Fascism 2.0
Sayak Valencia
Formations of Sense
Horacio Legrás
What Is Popular Art?
Karen Benezra
Work’s Figures, Work’s Forms
Sarah Ann Wells
Literature and Revolution in Latin America
Juan E. De Castro
The Reactionary Genealogies of Latin American Literature
Benjamin Loy
The Political Art of Memory in Latin America
Victor Vich and Alexandra Hibbett
Decolonizing Indigenous Literatures
Arturo Arias
Bound to Beauty: The Cultural Politics of Feminist Writerly Formations
Victoria Liendo
Gisèle Freund’s Latin America: The Cosmopolitan Promises of Modern Photography
Alejandra Uslenghi
Part II
Virtually Anywhere: Dislocated Boundaries and Porous Cartographies
Peopling Latin Americanism
Fernando Degiovanni
Literary Exchanges between Latin America and Spain during the Spanish Civil War
Jesús Cano Reyes
The Orient, the Rim, and the World
Rosario Hubert
Rethinking South-South Globalities: The Indian Connection
Alexandra Ortiz Wallner
Liberian Signifiers and the Crisis of Latin American Cosmopolitan Imaginaries
Mariano Siskind
The End of Landscape: Brumadinho, the Capitalocene, and the Collapse of Form
Jens Andermann
Urban and Environmental Scales of Belonging in the Digital Age
Bruno Carvalho
Natural Borders and Animal Life: Inhabiting Guantánamo
Esther Whitfield
Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican Culture
Charlotte Rogers
Part III
A Bigger Toolbox: Thinking Patterns and Contemporary Interrogations
Being River: Ambient Poetics and Somatic Experiences of More-than-Human Flows
Lisa Blackmore
Ecocriticism
Gisela Heffes
Energy Aesthetics: Sandú Darié’s Film Petróleo cubano
Rachel Price
The Afterlives of Biopolitics
Gabriel Giorgi
Infrastructure Studies and Literature in Latin America and the Caribbean
Nicole Fadellin
Afrofuturismo: Aesthetics and Interpretation
Persephone Braham
Birthing Ourselves: Black Womanhood and Epistemological Marronage in Latin American and Caribbean Literatures
Odette Casamayor-Cisneros
A Horizontal Hospitality
Guillermina De Ferrari
Queer and Trans Critique in the Caribbean and Latin America
Lawrence La Fountain-Stokes
The Affective Turn According to Latin America, and Vice-Versa
Cecilia Macón
Sound Studies and Literature in Latin America
Anke Birkenmeier
Imagining and Undoing Masculinity in Jorge Luis Borges’s Poetry and Prose Fiction
Idelber Avelar
The Global South, Resistance, and the Anthropocene: A Long Walk in the Great Night
Luís Madureira
Él no es: Infrapolitics and the Experience of Tragedy
Gareth Williams
Part IV
Beyond the Book: Unbound Objects and Unfettered Critical Practices
Distorting Latinamericanism
Erin Graff Zivin
Sensationalism
Sergio Delgado Moya
Nature and Labor in Literary Form
Héctor Hoyos
Cartonera Publishers: Of Cardboard Boxes and Cultural Capital
Paloma Celis Carbajal
Institutions: Prizes, Presses, and Book Fairs
Gesine Müller
Material Technologies in Print: Posters and Clippings in Latin American Magazines from the First Half of the Twentieth Century
Antonia Viu
Tracking Dance in Latin American Literature
Michelle Clayton
New Forms of Musical Belonging in Contemporary Brazil
Falina Enríquez
Critical Performances: The Scream, the Green Tide, and the Spider as Embodied Feminist Articulations
Marcela A. Fuentes
Exteriority, Extension, Expansion: Photography and Theatricality in Chilean Arts
Natalia Brizuela
Media Archaeology and e-Literature
Phillip Penix-Tadsen
Experimental Literary Forms in the Digital Age: Sampling Quantum Poetics, Hypermedia Narratives, and Robopoetic Hacking
Scott Weintraub
Index
Guillermina De Ferrari es profesora Halls-Bascom de Literaturas y Culturas Visuales del Caribe en la Universidad de Wisconsin-Madison. Ha sido becaria Guggenheim en 2020 y ha realizado numerosas publicaciones sobre literaturas y culturas visuales caribeñas. Es autora de Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction (2007), Community and Culture in Post-Soviet Cuba (2014), and Apertura: Photography in Cuba Today (2015). Es coeditora de la serie Routledge Literature and Contemporary Thought.
Mariano Siskind es profesor de Lenguas y Literaturas Románicas y Literatura Comparada en la Universidad de Harvard. Es autor de Cosmopolitan Desires: Global Modernity and World Literature in Latin America (2014), Rumo a um cosmopolitismo da perda. Ensaio sobre o fim do mundo (2020) y El cancionero modernista. Estándares y variaciones sobre formas muertas (2021). Ha editado Nuevas minorías, nuevos derechos (2013) de Homi Bhabha y ha coeditado con Sylvia Molloy Poéticas de la distancia. Adentro y afuera de la literatura argentina (2006); con Gesine Müller, World Literature, Cosmopolitanism, Globality: Más allá, en contra, después, de otra manera (2019). En 2022 publicará la colección de ensayos Dislocaciones y fin de eso que ya no es mundo, y está trabajando en otra, tentativamente titulada Sobre el fin del mundo: La desaparición del cosmopolitismo en la cultura contemporánea.
Guillermina de Ferrari, Mariano Siskind (eds.)
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms
London: Routledge
540 páginas